Paintings, Psychotherapy and Psychosis finds the original position of artwork remedy within the remedy of psychosis. Illustrating their contributions with scientific fabric and art created through consumers, skilled practitioners describe their paintings in numerous settings. Writing from diversified theoretical standpoints they mirror the present inventive range in the career and its hyperlinks with psychotherapy, psychoanalysis, analytical psychology and psychiatry.
In half I particular concerns serious about operating with psychosis are explored. those comprise dialogue of the healing dating, the method of symbolisation, the character and which means of paintings made by means of psychotic sufferers and the interaction among phrases and images. half II recounts the heritage of artwork treatment and psychosis, tracing its origins in paintings, to its present-day function as a revered remedy in psychiatric, group and healing settings.
Art, Psychotherapy and Psychosis extends the present thought, develops analytical techniques in artwork psychotherapy and gives cutting edge views for college kids and practitioners at the remedy of borderline states in addition to psychosis.
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Extra info for Art, Psychotherapy and Psychosis
THE SETTING The art therapy department in which my earlier work took place no longer exists in the form which I shall now describe, having changed in accordance with the move to the current pattern of psychiatric service provision known as ‘care in the community’. It was adjacent to the acute in-patient facilities of a large psychiatric hospital, which made it possible for patients in acute psychotic states to attend art therapy consistently, often for two two-hour sessions per day, five days per week.
1949) ‘The mirror stage as formative of the function of the I as revealed in psychoanalytic experience’, in Ecrits: A Selection, London: Tavistock/Routledge (1977). ——(1953) ‘The function and field of speech and language in psychoanalysis’, in Ecrits: A Selection, London: Tavistock/Routledge. ——(1955–6) ‘On a question preliminary to any possible treatment of psychosis’, in Ecrits: A Selection, London: Tavistock/Routledge. ——(1977) Four Fundamental Concepts of Psycho-analysis, London: Penguin. Laplanche, J.
The transformation of the object into a fetish is a way of dealing with desire and it might be understood to be a substitute for relating. In returning to the original, magical sense of the fetish I am arguing that the picture made by the patient in a psychotic state may be similarly invested; it may be attributed magical powers of influence. The image may be a substitute for thought—an enactment out of the unconscious state—and so it stands for ‘the thing’ in a magical sense. Furthermore, in art theory the term fetishistic is sometimes used to describe repetitive marks in a painting and this too is sometimes a feature of the patient’s picture.