By F. Max Muller
Bankruptcy I. THE ALPHABET. § I. SANSKRIT is correctly written with the Devanragari alphabet; however the Bengali, Grantha, Telugu, and different smooth Indian alphabets are normally hired for writing Sanskrit of their respective provinces. Note-Devanagar( potential the Nagar( of the gods, or, very likely, of the Br~hmBJl9. A extra eurrent sort of writing, utilized by Hindus in 1111 universal transaclions the place Hindi is the language hired, is termed easily Nagart. Why the alphabet must have been referred to as lI'dgart, is unknown. If derived from nagara, eity, it may well suggest the o.rt of writing as first practised in towns. (PaJ]. IV. 2, 128.) No authority has but been adduced from any historical writer for the employment of the note Devan/igart. within the Lalita-vis/ora (a lifetime of Buddha, translated from Sanskrit into chinese language seventy six A. D.), the place an inventory of alphabets is given, the DevanQgart isn't really pointed out, except it's meant via the Deva alphabet. (See heritage of old Sanskrit Literature, p. 518.) A
Table of Contents
TAB LEO F CON TEN T S; web page; bankruptcy I-THE ALPHABET; The DcvlLllagari letters 2; § r The Devanagari alphabet three; 2 path of Sanskrit alphabet four; three tips to write the letters four; four Sounds represented through the Devallagari; alphabet four; five variety of letters five; 6 The letter!i five; ~ Jihv/lmOHya aud U padhmaniya five; eight indicators of nasals and their alternative; five; nine the 3 nasal semivowels 6; 10: Consonants with no corresponding; nasals 6; I I Auusvara prior to $, take a seat, eight, h 6 * I 2 Names ofletters 7; thirteen Vowel symptoms, preliminary, medial, aud; ultimate 7; 14 Consonants through vowels 7; IS: Virama 7; sixteen mix of consonants 7; 17; The signal fOI' r eight; 18 The Virama used as a stop-gap eight; 19: The symptoms for a pause eight; 20 The Avagraha checklist of compound; consonants eight; 2 I Numerical figures nine; 2"' ideas of pronunciation 10; bankruptcy n-RULES OF SA~DHI; § 2 three' item and use of Sandhi eleven; 24 contrast among exterior; and inner Sandhi eleven; 25, Cla
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Extra info for a Sanskrit Grammar for Beginners
New Y ork, Shced and War. 1958 419. Bhattacharya, Hamsanarayana. H in d u d e r fk-vdcvi. 3:326. Pal. P , H in d u Religion a nd k o n o lo g v 82 All the sadhanas in the Tangyurgive the Sanskrit name as Chmnamunda, rather Legends and Origin o f Chinnamasta 36. 37. 38. 39. 40. 41. 42. 43. 44. 45. 46. 47. 48. 49. 49a. 50. 19 than Chinnamasta, but the tw o are identified as the same goddess and have the same meaning, “ a severed-head o ne” . 319-20. The translation w h ich fo llo w s is D avid T em pleton ’s, p u b lish ed b y the Library o f Tibetan W orks and Archives, Dharamsala, 1989 I thank Jeremy Russell for show ing me this before publication (Taranatha [ 157516431 was a m ajor p ro p o n e n t o f the Tibetan Buddhist J o rtang pa school and au tho r o f many historical w orks.
She is nude, with bone ornaments, a terrific form, red in appearance, and crimson hair. 19(4) “(On her left is Dakinl) who is nude with dishevelled hair, has a violent form like a dense dark cloud at the end of an aeon and has fiercely protruding canines.
Since the nun Lak-smirikara also was know n as being able to severe her head, confusion arises as to w hich Laksmirikara is the author o f the sadhanas. The sadhanas indicate the earlier dale because o f the transmission lineages, thus 1 conclude that it is the form er Laksmirikara w h o is the author o f the sadhanas. Tangyur, Vol. 23: 390-91. Ibid: 409-11. Note that this sadhana is very similar to the one in the Sadhanamala and also sim ilar to a manuscript found in Nepal entitled Laksmisadhana (w hich is being studied by the D hih Project in Sarnath, India).